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<p>Bettina Varwig places the music of the celebrated Dresden composer Heinrich Sch?tz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Sch?tz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Sch?tz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from...楽天市場のショップで商品詳細の続きを見る