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<p><strong>Demonstrates that slapstick film comedies display a canny and sometimes profound understanding of their medium.</strong></p> <p>Slapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium-from Buster Keaton's encounter with the film screen in <em>Sherlock Jr.</em> (1924) to Harpo Marx's lip-sync turn with a phonograph in <em>Monkey Business</em> (1931) to Jerry Lewis's film-on-film performance in <em>The Errand Boy</em> (1961). <em>The Slapstick Camera</em> follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of phil...楽天市場のショップで商品詳細の続きを見る