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<p>This timely book presents an interdisciplinary feminist critique of intellectual property (IP) laws in music. Informed by the lived experience of women and gender-diverse people in the music industry, Metka Poto?nik deconstructs the alleged gender-neutrality of IP laws.</p> <p>Poto?nik introduces ‘Feminist Intellectual Property Studies’ (FIPS), a new analytical framework combining feminist jurisprudence, feminist IP scholarship, and feminist musicology. Through a FIPS lens, Poto?nik critiques copyright legislation, performers’ rights, trade marks, and the concept of passing off. The book also incorporates interviews and empirical data from the music industry, policymaking, and academia, to examine how, if at all, the current systems meet the needs of women and gender-diverse people. Ultimately, Poto?nik argues that, in order to ensure that IP laws are gender-inclusive, current systems in the music industry must be redesigned to centre human activity and not objects.</p> <p><em>A Fem...楽天市場のショップで商品詳細の続きを見る